bIII

>>131986648
i have no idea what that chart is telling me
everything is derived from octaves
non-octave tones are fractions
we imagine them idealized (e.g. V is 1.5xf)
to make this all fit into some chromatic schematic without having to retune everything, /we use the enharmonic intonation where V is 2^(7/12)=ca.1.4983xf=ca.1.5xf

good luck

>>131987045
the chart is just showing you where chords can be substituted and which modes or keys you can grab them from.

>>131987254
....WHO THE FUCK STARTS LISTING THEM FROM LYDIAN
yeah, okay, now it makes sense
i was about to chalk it up to AI

aeolian first (because A=440Hz), enharmonic equivalent is ionian (C-major), so that follows second (but often it's first, because music starts with C)

these charts are what you get, when you apply the rules
dont memorize them, instead learn those rules >>131987045
>tonic
>octave
>notes squeezed in-between
>repeating patterns in octave above/below

lydian mode just means
>use A-minor/C-major scale
>but force the listener to accept F as the tonic

all those modes can be made from just the full notes (i.e. no sharps/no flats)
you just shift the tonic to be something other than Am or C

basically, you have a reservoir of notes in an octave
> C D E F G A B C
and then you form the chords from them
> CEG, DFA, EGB, FAC, GBD, ACE, BDF
and then you pick one of them as the tonic
>C-major/C-ionian: CEG = C
>A-minor/A-aeolian: ACE = Am
>F-lydian: FAC = F
>etc.
and thats it!

then you change F to F#
>G A B C D E F# G
and do the same thing again
then you pick the Vth of the scale (in C->G, G->D)
and add a sharp somewhere again to make it fit the aeolian schematic
>D E F# G A B C# D
and now you have the next reservoir of notes to make chords and scales from
and you do this 10 more times and you'll end up back at C, at some point

>>131989212
and if you read and understand that, you will have a hard time playing blues and jazz, because they shit on all these rules

you become "locked in"
so just play by ear, and shit on all the theory rules
if it sounds good, it sounds good

>>131989347
lazy retard cope
knowing theory guides you to the notes you want and helps you execute them immediately
nothing wrong with breaking rules but you should know the rules you're breaking

>>131989370
>lazy retard cope
for all but the naturally-talented, it likely is

>>131989439
are you a chaotic mess natural or a nothing-but-white-notes natural?

>>131986648
V/V

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187 KB PNG

>>131989607 >>131989624

>>131989212
https://en.wikipedia.org/wiki/Mode_(music)#Modern_diatonic_modes

>>131989516
>what key? oh, E-minor
>*proceeds to use G-major pentatonic*
>*womp-womp*
>you need to use E-major pentatonic for that blues feeling
>yes, e-major penta over e-minor tonic
>just do it
i need to learn the rules of breaking the rules

>>131989584
other shit, like
>there are three major chords you can use
>there are three minor chords you can use
>theres that diminished minor somewhere
and then others just blatantly put four major chords in a song
like, i have to force myself to do it

and i still remember a time, when i had no idea what i was doing
and just playing "something" on that guitar
without knowing what
and that was nice

Look at your poor fools trapped in 7 note scales

>>131989584
>pentatonic
is just dropping II and VII notes from the scale, btw
in either major or minor

>>131989615
my dude

>>131989624
>is just dropping II and VII notes from the scale, btw
*derp, II and VI, of course