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File: poltergeist-1982.jpg (35 KB, 600x412)
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Let's settle this once and for all
Was It Tobe Hooper or Spielberg
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>>224034111
Spielberg was already raping heather before filming began
>>
BUSH is my favorite band. Why don't they put out these films but change the music and dialog so it's funny?

Answer me.
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>>224034185
Then why did that other girl got murdered?
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>>224034111
Spielberg because if it was Tobe it would be better than a second rate Exorcist
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>>224034215
I've tried many times. Drew Barrymore just won't die. Ya gotta remember this was girl smoking and snorting coke at 8 years old. Drew asked Heather to Studio 54 but Spielberg wouldn't let her go.
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>>224034111
It was either a big fat pussy or a big hairy pussy.
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>>224034256
Either way musta tasted like Heaven in a haunted house.
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>>224034276
I wonder if it was smelly. God I hope so.
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>>224034252
I meant the other girl in poltergeist who played the teenager.
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>>224034312
crazy ex bf who got jealous she was working with men like sam elliot, panchorello from CHiPs, etc. so he murdered her on funny enough, halloween eve
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>>224034312
She ain't dead. Witness Protection. She knew too much about Speilberg. Then E.T. became a huge hit so the spooks had her whacked by her handler.
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>>224034345
>>224034347
>"It was a night!... just like this one..."
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>>224034345
Ive heard her killer got out less than 3 years, tough.
>>224034347
So is she dead or not?
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>>224034214
got a machinehead
GPU markets dead
thanks to the machinehead
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>>224034364
Who? Dominique Dunn? Yeah she's dead as Dillinger. It was the CIA who brought her out of hiding and killed her publicly though.
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>>224034384
>Oh shut up already
the little blonde girl that died of a broken bowel around hollywood jews
seems natural enough
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>>224034111
fuck, that's a fat pussy
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>>224034658
there's hair under there, anon
mattes of it
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>>224034111
Both. The only reason Spielberg contacted Hooper to direct was because he was under contract to direct E.T. and couldn't do both at the same time, but there's enough footage of him on set and behind the scenes photos directing the cast that it's undeniable that he definitely did direct chunks of it. I also assume he supervised the storyboards since there's a ton of Spielberg closeups in the movie of the characters looking on in awe like Close Encounters, E.T. and Jurassic Park.
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>>224034815
Same thing happened on Rambo Part II and Tombstone
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>>224034454
>>
>>224034111
>Casper, the rapey ghost.
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>>224034111
If you talking about directing half of the actors said Tobe Hooper directed everything and Spielberg barely did shit while the rest claims Spielberg directed everything and Tobe Hooper didn't do anything, I honestly think this is some conflict of interest AKA dicksucking and those who claim Spielberg did everything only do so in hopes of getting more job opportunities from him since at the time he was a huge cheese before he dropped the ball, the movie feels close to Tobe Hooper's style
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>>224034111
Is she trans???
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>>224034111
Tobe | Spielberg stayed in his lane: second-unit photography, specifically, photographing those master plates (shots) to be composited with ILM’s compressive in-camera effects.
While principal players (cast & crew) were asleep or off-site/not on-call, is when Stevie reportedly lorded over the secondary photography units. Essentially exploiting their workflow as on-the-job training (never learned in school — but also the only fucking thing Lucas ever wanted to talk about, à la, early pre-vis shit).

There was allegedly an incident where Spielberg was directing the kids (early in principle photography), but immediately recognized Tooper withdrawing; ultimately believed TH wouldn’t produce his best work if relegated ghost-director, so Stevie supposedly backed off. But he did take over post-production once, and again, after Hooper locked his DGA-required DIRECTOR’S ASSEMBLY (aka first cut); but he’d already scored his multi-pic deal w Cannon by that point and quietly preferred they just relay in further revisions through Team Steven [industry trade journals reported on this unspoken changeover between hooper & Spielberg exclusively, just inferring it meaning applicable throughout all of principle photography.

FYI: Spielberg’s Amblin partner, FRANK MARSHALL, literally made a featurette documentary (submitted it to that year's premier film festivals and everything) all about his boss learning to develop & capture ILM’s photochemicals effects workflow(s)… featuring nary a cutaway shot of Spielberg actually directing any part of Poltergeist when dialogue is being spoken on-screen. NOPE.
just didn’t do it.
Ur thinking of Sylvester Stallone creatively chockholding (original writer) Phil Alden Robinson into submission, while cramming his RHINESTONE (1984) shooting-script revision down every studio executive’s throat (who’d still been advocating the writer somehow fix Stallone’s unfilmable dreck, to make it sound more like PAR’s)
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