post examples of /lit/ worthy lyrics
i always quite liked pic related. not sure what it means, though
>>25622539lyrics that are mysterious and moving in the context of the song often look trite and hollow as pure text, imo
>>25622544sure. are there no lyrics, though, that you feel can stand on their own?
Anything Dani Filth wrote until Midian and then some stuff after. Gothic, romantic, blood and soil paganism. Just a random snippet:I have awoken from the past,Glenfully with the shadows over England's bitter skies,I prize mine wounds in a soil-sweated drink,Remember me as king, when I cradled Hell to stars.Like lovers in my arms, nestled vipers to my breastVenom forces work these arts of Devil's and priestess.Thus, I shall rule anew through sinews of a song played upon the storm by the ghosts of Avalon.And all in league will bow to me; from death they shall ascend,To whisper weals of war, to stir the dark force in men,The principal black metal masterplan.
>>25622559Also babalon ADI've been very profound touched by Pink Floyd the last couple of days. Also soundgarden, holy shit:I think I know the answerI stumbled on and all the worldFell downAnd all the sky went silentCracked like glass and slowlyTumbled to the groundThey say if you look hardYou'll find your way back homeBorn without a friendAnd bound to die aloneI'm thinking of your highnessAnd crying long upon the lossI've foundAnd on the plus and minusZero chance of everTurning this aroundWhy doesn't anyone believeIn lonelinessStand up and everyone will seeYour holiness
>>25622539If you're a spic there's a lot of stuff, spinetta, silvio Rodriguez, parra. Spanish is just a more poetic language
Pretty much any Bad Religion song. Certainly expanded my vocabulary when I was a teenager.
>>25622539Kendrick.
I like lyrics that don't try to be overly sophisticated and "literary," but are rather brutally straightforward and direct.>But it was only fantasy>The wall was too high, as you can see>No matter how hard he tried, he could not break free>And the worms ate into his brain
>>25622539I got something to sayI killed a baby todayAnd it doesn't matter much to me as long as it's deadWell, I got something to sayI raped you mother todayAnd it doesn't matter much to me as long as she spreadSweet lovely deathI am waiting for your breathCome sweet death, one last caress
>>25622539>I decree today that life is simply taking and not giving>England is mine, it owes me a livingwill there ever be another song writer like this?
>>25622911It's amazing how even a single Smiths song can have multiple GOAT lines>And if you must go to work tomorrow>Well if I were you, I wouldn't bother>For there are brighter sides to life, and I should know, because I've seen them>But not very often
>>25622539>I drew the blade across my wrist to see how it would feel; Looked into the future; There was nothing to reveal; For we were just the product; Of the ever spinning wheel.>Come and see me; When the screw has turned another turn. It's not that I'm confused; But I've an awful lot to learn; But I will be the one To make you work for what you earn>After all it's just the revolution I despise; The dawn of revelations and the flower power prize; And I pity those poor children with no sunshine in their eyes
There's old Gray with her dove-winged hatThere's old Green with her sewing machineWhere's the bobbin' at?She's toting old grain in a printed sackThe dust blows forward and the dust blows backAnd the wind blows black through the skyAnd the smokestack blows up in the sun's eyeWhat am I gonna die?A white flake riverboat just blew byBubbles pop bigAnd a lip, and a lipstick KleenexHung on a pointed forked twigReminds me of the bobby girlsNever was my hobby girlsHandful o' worms and a pole fishin'Cork bobbin' like a hot red bulbAnd a blue jay squeaksHis beak open an inch above a creekGone fishin' for a weekWell I put down my bushAnd I took off my pants and felt freeThe breeze blowin' up me and up the canyonFar as I could seeIt's night now and the moon looks like a dandelionIt's black now and the blackbird's feedin' on riceAnd his red wings look like diamonds and liceI could hear the mice toes scamperin'Gophers rumblin' in pile crater rock holesOne red bean stuck in the bottom of a tin bowlHot coffee from a krimpt up canMe and my girl named Bimbo Limbo Spam
>>25622539in my long forgotten cloistered sleepyou and I were resting close in peacewas it just a dreaming of my heart?now I’m crying, don’t know whywhere do all the tears come from?could no one ever dry up this spring?if you find me crying in the darkplease call my name, from the heartsing with me a tiny autumn songweep me the melodies of the days gone bydress my body all in flowers white,so no mortal eye can seewhere have all my memories gone?should I roam again up yonder hill?I can never rest my souluntil you call my nameyou call my name, from the heartin my long forgotten cloistered sleep,someone kissed me, whispering words of loveis it just a longing of my heart?such a moment of such peacewhere do all the tears come from?with no memories, why should I cry?I can never rest my souluntil you call my name…you call my nameyou call my name, call my soul, from the heart
>>25622539>And it starts, sometime around midnight>Or at least that's when you lose yourself>For a minute or two>As you stand, under the bar lights>And the band plays some song>About forgetting yourself, for a while>And the piano's this melancholy soundtrack to her smile>And that white dress she's wearing>You haven't seen her for a while...https://www.youtube.com/watch?v=UYPoMjR6-AoThis song has no chorus. It simply goes from point A to point B, and the violin follows the singer/narrator's state of mind as he slowly loses it.It's closer to a poem than it is to a song.
Anyone who posts the whole song in here is a fucking asshole. Post excerpts or eat cat shit
Living's mostly wasting timeAnd I'll waste my share of mineBut it never feels too goodSo let's don't take too longWell you're soft as glassAnd I'm a gentle manAnd we got the sky to talk aboutAnd the world to lie uponhttps://youtu.be/uLpNNjILJH0?si=GXZCVrlVfOfj3Zd-
can they? sure, why not. are they ever? no.
>>25622642>drake, yo, you're a pedophileDeep
>>25622539I was having visions of sugar pastrycooked up in clarified butterI tried to turn my visions into prayersbut I built my castle way high up in the airyeah I came to the gates of the fabled pink cityhungry and tired and coldswing low, sweet chariotchrome tail pipe shining bright as spun goldmy brothers picked me up out of the rusheshanded me into the company of evil menbut I've inched my way down the eastern seaboardI am coming to Atlanta againyeah I came to the gates of the fabled pink cityhungry, and tired, and mad as all hellswing low, sweet jewel-encrusted chariotmake me young again, make me wellI am the killer dressed in pilgrim's clothingI'm the hard to find stations on the AM bandI am the white sky high over TripoliI am the land mine hidden in the sandyeah I came to the gates of the fabled pink cityhungry and tired and alonesweet low, sweet sweet sweet chariotcoming forth to carry me home
I don't know whether they're considered /lit/ “worthy,” but I do adore these lyrics.Although you think I cope,My head is filled with hopeOf some place other than here.Although you think I smile,Inside all the whileI'm wondering about my destiny.I'm thinking about,All the things,I'd like to do in my life.I'm a dreamer,A distant dreamer,Dreaming for hope, from today.Even when you see me frown,My heart won't let me down,Because I know there's better things to come (Woah Yeah).And when life gets tough,I feel I've had enough,I hold on to a distant star,I'm thinking about,All the things,I'd like to do in my lifeI'm a dreamer,A distant dreamer,Dreaming for hope, from today.I'm a dreamer,A distant dreamer,Dreaming for hope from today.Yeah, I'm a dreamerOhOhOhI'm a dreamer,A distant dreamer,Dreaming for hope, from today.Yeah I'm a dreamerOhOhOhI'm a dreamer
https://youtu.be/esUGzeJAwbQ?si=3JkkImzujO06dhEbI just wanna fuck a dude, his cum is so sticky like glueI made his dick hard and it grewHis dick is so cool, suckin' on him right after schoolHis dick is all covered in my droolI just wanna fuck a dude, his cum is so sticky like glueI made his dick hard and it grewHis dick is so cool, suckin' on him right after schoolHis dick is all covered in my drool
>>25622539Sure.>im Land der lebenden Toten. >im Totenland>herrscht Totenstille>Totenstille >im Land der lebenden Toten. >im Totenland.>Totenstille>im Totenland.>Es ist anzuerkennen, dass Deutschland ein Totenland ist.>Das kollektive Sein zum Tode ist vorzüglich den Deutschen zuzumuten.>Sie haben sich in dem Jahrhundert seit Nietzsche im Suizid, Genozid und Holozid geübt.>Sie kennen sich exzeptionell aus im Töten.>Sie sollen sich exzeptionell auskennen im Sein zum Tode.>Sie kennen sich exzeptionell aus im Töten.>Sie sollen sich exzeptionell auskennen im Sein zum Tode.>Der Tod, der ein Meister aus Deutschland ist, ist die erste Erfahrungsquelle für die Identifikation der Deutschen.>Totenstille >im Land der lebenden Toten. >Totenstille >im Totenland.---engl:>In the land of the living dead. >In the deathland >There's a deathly silence>A deathly silence >In the land of the living dead. >In the deathland >A deathly silence>In the deathland >It must be acknowledged that Germany is a deathland.>The collective being-toward-death is something that can be expected of the Germans above all.>In the century since Nietzsche, they have practiced suicide, genocide, and holocide.>They are exceptionally well-versed in killing.>They should be exceptionally well-versed in being-toward-death.>They are exceptionally well-versed in killing.>They should be exceptionally well-versed in being-toward-death.>Death, who's a master from Germany, is the primary source of experience for the German identity.>A deathly silence >In the land of the living dead. >A deathly silence >In the deathlandhttps://www.youtube.com/watch?v=7_5bJte4AUE
>>25622539Je vivroie liement,Douce creature,Se vous saviés vraiementQu'en vous fust parfaitementMa cure.Dame de meinteing joli,Plaisant, nette et pure,Souvent me fait dire: "aymi"Li maus que j'endurePour vous servir loyaument.Et soiés seüreQue je ne puis nullementVivre einsi, se longuementMe dure
>>25622539These niggas say they heard of me, I ain't heard of youGet the fuck up out my fuckin' face, 'fore I murder youBitch niggas always jackin' Blood, but I know they fuWhole squad full of fuckin' killers, I'm a killer tooSendin' shots, shots, shots, shots, shots, niggaEverybody gettin' pop, pop, popped, niggaThe thing go "Rrrah, rrrah, rrrah, rrrah, rrrah", niggaWe sendin' shots, shots, shots, shots, shots, nigga
>>25624264
>>25624264Guard my bedWhile the rain turns the ditches to mirrorsBy invasive carnations from central OhioWhere the looking machine can't hear usDeep in the night, we dream of positionsThere's a line for the phone in the hallAnd in the cold places where Spanish is spokenMost wars end in the fall[...]Adam was not the first manThough the Bible tells us soThere was one created before himWhose name we do not knowHe also lived in the gardenBut he had no mouth or eyesOne day, Adam came to kill himAnd he died beneath these skies
>>25622539>History repeats the old conceits>The glib replies, the same defeats>Keep your finger on important issues>With crocodile tears and a pocketful of tissues-->I'm just the oily slick in the wind-up world of the nervous tic>In a very fashion-able hovel..>I hang around dying to be tortured>You'll never be alone in the bone orchard>This bat-tle with the bot-tle is nothing so novel..>And in this almost empty>Gin palace>Through a 2-way looking-glass>You see your Alice>You know she has no sense>For all your jealousies>In a sense she still smiles>Very sweetly..>Charged with insults and flattery>Her body moves with malice>Do you have to be so cruel to be callous?>And now you find you fit>This identi-kit completely>You say you have no secrets>Then leave discretely>I could say it's California's fault>Or locked in Geneva's deepest vault>Just like the canals of Mars and the Great Barrier Reef>I come to you beyond belief....Elvis waxing prophetic in the early 80's
>>25624441>Elvis waxing prophetichis aim was true, you might say
Day After DayThe Alan Parsons Project-----Gaze at the skyAnd picture a memoryOf days in your lifeYou knew what it meant to be happy and freeWith time on your sideRemember your daddyWhen no one was wiserYour ma used to sayThat you would go further than he ever couldWith time on your sideThink of a boy with the stars in his eyeLonging to reach them but frightened to trySadly, you'd say, someday, somedayBut day after dayThe show must go onAnd time slipped awayBefore you could build any castles in SpainThe chance had gone byWith nothing to sayAnd no one to say it toNothing has changedYou've still got it all to doSurely you knowThe chance has gone byThink of a boy with the stars in his eyeLonging to reach them but frightened to trySadly, you'd say, someday, somedayBut, day after dayThe show must go onAnd you gaze at the skyAnd picture a memory of days in your lifeWith time on your sideWith time on your side(Day after day the show must go on)With time on your side(Day after day the show must go on
>>25624481I remember dancing around with my mother who was dancing around to Don't Answer Me..Man....
>>25622539There aren't any. Lyrics are superfluous in music, as proven by Enya in the song where she goes Hmm, hmm, hmmhmm...hmm, hmm, hmmhmm-hmmhmm, hmm hmm and it has just as much impact as lyrics. Might as well chemically desanitize Bob's trophy and give it to her.
Song lyrics are carried hard by the music, read morrisseys non lyrical writings and you can tell how terrible of a writer he actually is
>>25623215Lupe Fiasco better than Kendrick but prolly they're both really written by Antonoff, sadly. The Blue Light by Zappa is either the profound Heidegerrian exposition of American consumerism and the tokenizing of experiences I want it to be, or silly prattle. This part about language seems sneakily profound to me, within the context of the whole song.
I always really liked the imagery and subtle humor here:When I was stuck he'd make me memorize elaborate cursesTinctures and formulas to ditch the chori and flip the versesMy whole foundation came ungluedWhen I tried to humanize by ambient lightDipping swords in metaphors, yeahBut what does he know?We're always one step behind himHe's Brian Eno, Brian EnoHe promised pretty worldsAnd all the silence I could dream ofBrian Peter, George St. JohnLe Baptiste De La Salle EnoWell, all alone by the oldest stoneWhere the shade trees growThe creature by the waterFeature with a ghostly glowYeah, he's making sure that time's preserved wellWe reap what we sowWe're always one step behind himHe's Brian Eno
>>25624465>[My] aim is true'Alison' has to be one of the most ridiculously ironic songs ever written. Presented as a kind of sad song of 'longing' what it *really* is is a song of absolute contempt. The dominant meaning of the idiom 'my aim is true' is something like 'I really do mean well' whereas the literal meaning is 'I'm an excellent marksman' (and you're as good as dead). The song comes together differently once this is realized. It's not only very good, but very evil too
>>25624918never thought about the literal meaning; that does cast it in a different light lolreminds me of Be Mine by REM which also has has some sinister undertones
https://www.youtube.com/watch?v=-KYDlLI9gcIIron MaidenHallowed Be Thy NameSomebody, please tell me that I'm dreamingIt's not easy to stop from screamingThe words escape me when I try to speakTears flow, but why am I crying?After all, I'm not afraid of dyingDon't I believe that there never is an end?
Mountain Goats recently released a collection of song lyrics and it made me realize how thin lyrics are and how important music is. For a band that is known for their lyrics they can be pretty short. His approach is interesting though since he focuses more on just hitting the listener with a lot of images instead of being direct about what he is writing about. He also prefers song lyrics that start in the middle of the "scene" and also leave things unresolved. [Verse 1]Martin calls to say he's sending old electrical equipmentThat's good we can always use some more electrical equipmentIn the cold clear light of day down here, everyone's a monsterThat's cool with all of us, we've been past the point of help since early April[Pre-Chorus]Susan and her notebookFreehand drawings of Lon ChaneyBlueprints for geodesic domesRecipes for cake[Chorus]Yeah we're all hereChewing our tongues offWaiting for the fever to break[Verse 2]When we walk out in the sunlightWe tell everyone we know it hurts our eyesWhen the real reason we don't like itIs that it makes us wonder if we're dyingAnd Martin's found an old trunk full of stage makeup in the basementAnd he's sending it along, we can always use more makeupYeah, more creams and powders[Pre-Chorus]And Carrie's got the feelingThat the people next doorWill close in like a wolf packShould we make one small mistake[Chorus]Yeah we're all hereChewing our tongues offWaiting for the fever to break
[Verse 1]Round like a circle in a spiral, like a wheel within a wheelNever ending or beginning on an ever-spinning reelLike a snowball down a mountain or a carnival balloonLike a carousel that's turning, running rings around the moonLike a clock whose hands are sweeping past the minutes of its faceAnd the world is like an apple whirling silently in spaceLike the circles that you find in the windmills of your mind[Verse 2]Like a tunnel that you follow to a tunnel of its ownDown a hollow to a cavern where the sun has never shoneLike a door that keeps revolving in a half forgotten dreamOr the ripples from a pebble someone tosses in a streamLike a clock whose hands are sweeping past the minutes of its faceAnd the world is like an apple whirling silently in spaceLike the circles that you find in the windmills of your mind[Verse 3]Keys that jingle in your pocket, words that jangle in your headWhy did summer go so quickly? Was it something that you said?Lovers walk along a shore and leave their footprints in the sandIs the sound of distant drumming just the fingers of your hand?Pictures hanging in a hallway or the fragment of a songHalf remembered names and faces, but to whom do they belong?When you knew that it was over, you were suddenly awareThat the autumn leaves were turning to the colour of her hair[Outro]A circle in a spiral, a wheel within a wheelNever ending nor beginning on an ever-spinning reelAs the images unwind like the circles that you findIn the windmills of your mind
>>25625184Song brought 'New Amsterdam' to mind (I guess I'm in Elvis C. mode right now) though what Elvis achieves through ridiculously ornate word play, REM does with responsive imagery to an opening cliche: 'hey, I'll give you space' but immediately cuts it off with a line that at first blush seems 'romantic' but when read in terms of 'space' is as 'intimate' as it is suffocating and claustrophobic: he's not giving her any space at all unless HE IS THAT SPACE. 'The sky above the Ganges' though dressed as an 'image' (which in one sense it effectively remains) also holds an 'I'll be your God' meaning ('This guy' above the Ganges) at which point 'the Ganges' imagery begins to look like a wall or holding pen. Ultimately, the singer literally presents himself as not only everything she needs, but everything that she is going to get! --yet in a way that initially seems that he 'understands' her 'needs' (which, of course, he does, if) all too well!
>>25622911Every young man singles those lyrics nowadays and the world laughs at them
The old ways are changing, you cannot deny,The day of the traveller is over;There's nowhere to go and there's nowhere to bide,So farewell to the life of the rover.Farewell to the tent and the old caravan,To the tinker, the Gypsy, the travelling manAnd farewell to the thirty-foot trailer.Farewell to the cant and the travelling tongue,Farewell to the Romany talking,The buying and selling, the old fortune telling,The knock on the door and the hawking.You've got to move fast to keep up with the timesFor these days a man cannot dander;It's a bylaw to say you must be on your wayAnd another to say you can't wander.Farewell to the besoms of heather and broom,Farewell to the creel and the basket,For the folks of today they would far sooner payFor a thing that's been made out of plastic.Farewell to the pony, the cob, and the mareWhere the reins and the harness are idle;You don't need a strap when you're breaking up scrapSo farewell to the bit and the bridle.Farewell to the fields where we've sweated and toiledAt pulling and shoving and lifting,They'll soon have machines and the travelling queensAnd their menfolk had better be shifting.